From Our Family to Yours, we wish you a very Happy Thanksgiving!
Stitching in Suburbia
Thursday, November 28, 2013
Sunday, September 22, 2013
Back to School
Although we celebrate the new year on January 1, somehow September always seems to be the real beginning of the year. Part of it, of course, is that my life still is scheduled around the school year. DD is a high school junior this year and we are starting the college tour circuit. But, I think, part of it is that the cool weather seems to re-energize me. I am, by no means, a cold weather person. In fact, I have a very limited temperature range in which I am comfortable. And even that is off-kilter these days - I am hot when everyone else is cool and vice versa. But it seems that many activities take a hiatus during the summer and then resume in the fall.
My needlework classes are no exception. I have managed to sign myself up for four different classes of varying length/complexity starting in September/October. On Saturday I blogged about my Ukrainian Embroidery class at the Ukrainian Museum in New York City. That class will meet for eight weeks. I learned that there are three eight-week sessions with the second one beginning after the New Year.
So today I will bring you up-to-date on the other classes. Of course, I still have in-progress projects that I started months and even years ago!
Slava Russki
I started the Slava Russki class at The Edwardian Needle's new location. This is one of Tony Minieri's designs which are always fun but a bit of a challenge. This class will meet once a month for a year, which means I have a chance to actually finish the piece since I will have some time in between classes to work on it.
We worked on one area last week: the triangle in the upper left corner. This is a five-step composite stitch; I completed three of the steps in a small area; you can see the stitches as they are built up. I am determined to finish this area before the next class in early October, and to keep up with the stitching from each class.
Church of Our Savior on the Spilled Blood
I am also ghosting Carole Lake's Church of Our Savior on the Spilled Blood. Carole is teaching the class in October at the ANG Georgia Chapter. It will make a nice companion piece to Carole's St. Basil's Cathedral which I stitched a few years ago.
Stitcher's Hideaway Retreat
And, finally, I will be attending the Stitcher's Hideaway Retreat in Mystic, CT again this year. The incredible Thea Dueck of The Victoria Sampler has designed a very special piece for this Retreat and I have been busy with my pre-work. We will be concentrating on the Hardanger embroidery at the bottom of the piece and the hemstitching in the middle, as well as some of the specialty stitches. I am hoping to have all of the cross-stitching completed before the Retreat. Some of that cross-stitching (such as the lettering) is over one!
I just love this Retreat - what could be better than spending a few days away from work/home with other stitchers doing what we enjoy so much? This is my fourth retreat and I look forward to it every year. There will be an ornament exchange during the Retreat so I have to add that as part of my stitching obligations.
That brings me up-to-date on my classes. I hope to be a little more conscientious about blogging on my progress with these projects.
Until next time, happy stitching.
My needlework classes are no exception. I have managed to sign myself up for four different classes of varying length/complexity starting in September/October. On Saturday I blogged about my Ukrainian Embroidery class at the Ukrainian Museum in New York City. That class will meet for eight weeks. I learned that there are three eight-week sessions with the second one beginning after the New Year.
So today I will bring you up-to-date on the other classes. Of course, I still have in-progress projects that I started months and even years ago!
Slava Russki
I started the Slava Russki class at The Edwardian Needle's new location. This is one of Tony Minieri's designs which are always fun but a bit of a challenge. This class will meet once a month for a year, which means I have a chance to actually finish the piece since I will have some time in between classes to work on it.
Slava Russki Designed by Tony Minieri Design Size 8" by 11" (on Light Blue Congress Cloth) |
Progress after Class 1 |
Church of Our Savior on the Spilled Blood
I am also ghosting Carole Lake's Church of Our Savior on the Spilled Blood. Carole is teaching the class in October at the ANG Georgia Chapter. It will make a nice companion piece to Carole's St. Basil's Cathedral which I stitched a few years ago.
Church of Our Savior on the Spilled Blood Designed by Carole Lake Design Size 12" x 14" (on 18-count Blue Mono Canvas) |
Stitcher's Hideaway Retreat
And, finally, I will be attending the Stitcher's Hideaway Retreat in Mystic, CT again this year. The incredible Thea Dueck of The Victoria Sampler has designed a very special piece for this Retreat and I have been busy with my pre-work. We will be concentrating on the Hardanger embroidery at the bottom of the piece and the hemstitching in the middle, as well as some of the specialty stitches. I am hoping to have all of the cross-stitching completed before the Retreat. Some of that cross-stitching (such as the lettering) is over one!
Mystic Christmas Sampler Designed by Thea Dueck of The Victoria Sampler Design Size 14" x 5" (on 28-count Misty Blue Cashel) |
That brings me up-to-date on my classes. I hope to be a little more conscientious about blogging on my progress with these projects.
Until next time, happy stitching.
Saturday, September 21, 2013
Ukrainian Embroidery
Every Monday morning I
get an email from Nordic Needle and there is usually a story about one
of their customers. In May of this year the featured stitcher hailed from
Astoria, Queens, and talked about the classes she takes at the Ukrainian
Museum in NYC. I
was very intrigued - my father grew up right down the block from the museum.
Although he attended the Polish Church with his father, his mother and
sisters attended the Ukrainian Church. But they all spoke Ukrainian at
home.
I actually got started
in counted cross stitch while in college because I had found a piece of cross
stitch that my grandmother had done and I tried to replicate the pattern.
So I signed up for the embroidery class that started last Saturday.
It is an interesting
class, running from 1:00 to 3:30. There are about 15 women in the class
but it is more of a gathering than a formal class. There were about eight
beginners at the class and the teacher sat with us one-on-one. We are
working on a band sampler. The more advanced students are working on a
number of different projects using other techniques, including cutwork.
We beginners are using
DMC floss (four strands) on 25-count Lugana. I have to admit I am having
a very hard time with it. Not because it's difficult to learn - the first
class was all running stitches (essentially darning patterns). But we are
working "in hand" without a hoop or frame, the threads are not separated
and then recombined, and we are not using a laying tool. This is not how
I'm used to stitching!
I will have to look
closely at the teacher's sample to see what the threads look like because I
can't decide whether I should just shrug and accept that the stitching is not
going to look like I'm used to seeing; determine that the final product when
done expertly looks like something that I should strive to achieve; or secretly
work a second piece at home on a frame with a laying tool (or maybe just #8
pearl cotton).
In the meantime, here
is my progress from the first class. We are using DMC 310 (black) and 321
(red) which are traditional colors in Ukrainian embroidery.
Progress after Class #1 |
The first band (at the
top) is a simple over/under three threads and the second band is over/under two
threads. The third band is a "vee" with the red thread woven
through it on the surface.
Teacher's Sampler |
I'm not really sure
how many bands we complete during this eight-week session. I think it
depends on how fast one stitches. Many of my fellow beginners are not
needleworkers so we all had a different number of bands completed by the end of
the class. My homework was to complete the fifth band although we didn't
start it in class. The teacher told me to go ahead and take a picture of
the band so that I could figure it out at home. While I had the camera
out I took pictures of the rest of the teacher's sampler. This is obviously the area we started working.
And here are some of the other areas. While the traditional red and black are my favorite colors, I am itching to work some of those colorful areas!
Today was our second class so I stitched some more bands. These were, I think, a little easier to maintain tension as they are satin stitch.
Class 2 Progress |
Class 2 Close-up of Stitching |
I am working on ecru fabric although it looks more white in these two photos. I have to figure out the best place to photograph my stitching.
Until next time, happy stitching!
Saturday, May 25, 2013
Arabella Reborn
I have become addicted to StitchPlay Designs classes through Shining Needle Society. Michael Boren and Carole Lake have great designs - lots of geometrics, which just call to me. And they always include lots of colorways so there is something for every mood.
Their current class is Arabella Reborn. It was so much fun to stitch that I finished it ahead of time! The piece uses lots of Caron Collection threads and I stitched it in the Kelp colorway.
Today is such a gloomy day here in New Jersey. It's in the mid-50s and raining. I don't know exactly what happened to Spring; it feels more like October than the end of May. I think I'll go stitch something.
Their current class is Arabella Reborn. It was so much fun to stitch that I finished it ahead of time! The piece uses lots of Caron Collection threads and I stitched it in the Kelp colorway.
Arabella Reborn - Kelp Colorway Designed by StitchPlay Designs 5½” x 5 ½” on 18-count canvas |
Today is such a gloomy day here in New Jersey. It's in the mid-50s and raining. I don't know exactly what happened to Spring; it feels more like October than the end of May. I think I'll go stitch something.
Until next time, happy stitching!
Monday, May 20, 2013
Or Nue Star Lily Finished
Posting three times in as many days - that's certainly a record for me.
I finished Or Nué Star Lily last night. I really like the way it turned out. We used the "economy" style of laying the thread - coming up in the hole directly below the one that the thread went into. My tension is not that even and the #16 braid was a little stiff to work with for this method, at least for me. So, I think I may try to either lay the metallic using a satin stitch so that it wraps around the back or lay it all on the top and couch at the end. Sounds like a trip to the needlework store for some canvas!
Until next time, happy stitching!
I finished Or Nué Star Lily last night. I really like the way it turned out. We used the "economy" style of laying the thread - coming up in the hole directly below the one that the thread went into. My tension is not that even and the #16 braid was a little stiff to work with for this method, at least for me. So, I think I may try to either lay the metallic using a satin stitch so that it wraps around the back or lay it all on the top and couch at the end. Sounds like a trip to the needlework store for some canvas!
Or Nué Star Lily Designed by Brenda E. Kocher Designs 2" x 2" on 18-count black canvas |
Sunday, May 19, 2013
Or Nué Class
Yesterday I took an Or Nué class by Brenda Kocher. The ANG Main Line Stitchers Chapter hosted the event. The day was somewhat gloomy - a perfect day for stitching. We were all so excited to start on Brenda's Or Nué Star Lily design.
Or Nué means "nuance of gold" or "shaded gold". In this technique, gold or silver threads are laid across the canvas and then held down with silk threads couched over the metallic. The silk threads are couched in a pattern that forms a design. At the ends, the metallic threads can either be "sunk" into the canvas, which is what we did in class, or turned on the surface. There are some excellent references on the Internet, including Jane Zimmerman's Traditional Technique of Or Nué. There is a magnificent collection of Or Nué embroideries in the Altar Room (Sala dell'Altare) in the Cathedral Museum (Museo dell'Opera del Duomo) in Florence. They were designed by Pollaiolo in the 15th Century and took 23 years to complete. We were able to visit there two years ago and the embroideries are breathtaking! Unfortunately, my attempts to photograph the embroideries were not successful.
Our efforts yesterday were very basic and gave us a first taste of the technique. Brenda is a terrific teacher and the class was very enjoyable. It was so much fun watching the design emerge as we couched the Kreinik #16 braid that we were using as the metallic. Of course, we were all so absorbed in stitching that we had to be reminded to take a break every so often.
By the end of the class, I finished about half of the design of Or Nué Star Lily. You can see that I have a number of needles going at once to avoid dragging threads across the back of the work.
And here is the what the design will look like when finished.
Since it's raining here today, I think I'll work on finishing this piece.
Until next time, happy stitching!
Or Nué means "nuance of gold" or "shaded gold". In this technique, gold or silver threads are laid across the canvas and then held down with silk threads couched over the metallic. The silk threads are couched in a pattern that forms a design. At the ends, the metallic threads can either be "sunk" into the canvas, which is what we did in class, or turned on the surface. There are some excellent references on the Internet, including Jane Zimmerman's Traditional Technique of Or Nué. There is a magnificent collection of Or Nué embroideries in the Altar Room (Sala dell'Altare) in the Cathedral Museum (Museo dell'Opera del Duomo) in Florence. They were designed by Pollaiolo in the 15th Century and took 23 years to complete. We were able to visit there two years ago and the embroideries are breathtaking! Unfortunately, my attempts to photograph the embroideries were not successful.
Our efforts yesterday were very basic and gave us a first taste of the technique. Brenda is a terrific teacher and the class was very enjoyable. It was so much fun watching the design emerge as we couched the Kreinik #16 braid that we were using as the metallic. Of course, we were all so absorbed in stitching that we had to be reminded to take a break every so often.
By the end of the class, I finished about half of the design of Or Nué Star Lily. You can see that I have a number of needles going at once to avoid dragging threads across the back of the work.
Or Nué Star Lily Progress as of May 18, 2013 |
Or Nué Star Lily Brenda E. Kocher Designs Completed Piece |
Until next time, happy stitching!
Friday, May 17, 2013
Stash Building
I should just change the name of my blog to I Don't Know Where the Time Goes. I was thoroughly aghast at how long it has been since I've posted. Oh, well, much like my diets, tomorrow is another day (channeling Scarlett O'Hara).
I have been quite busy with some stitching - and I hope to get the finishes posted soon. Right now I'm in a hotel room in King of Prussia, PA, trying to blog on my iPad; a new experience for me. I already miss my laptop because I don't type as fast on the virtual keyboard. And I tend to edit a lot when I write.
So what has all that to do with stash building? The reason I am here is that tomorrow I will be taking a class on Or Nue, which uses silk couching threads over laid gold thread to create the design. Brenda Kocher is teaching at the ANG Main Line Stitchers Chapter. I decided to come down a day early so that I wouldn't have to get up ridiculously early tomorrow to drive the 2 hours or so before class. I want to be really awake since, in my usual contrary fashion, I chose the black canvas on which to stitch rather than the white.
Still wondering about the stash building? There is a needlepoint shop nearby- Fireside Stitchery - that I was able to visit this afternoon. I almost didn't make it before they closed because of traffic, the two-hour ride turned into three, but I got there with about 30 minutes to spare. They have a fabulous selection of threads and beads and canvases. I restrained myself (something to do with recently looking at all of the canvases, charts and projects already waiting to be stitched) and only purchased a few things. But they are goodies!
With any luck I'll blog about the class tomorrow, but it may wait until I get home so that I can use the laptop and be able to format everything.
I have been quite busy with some stitching - and I hope to get the finishes posted soon. Right now I'm in a hotel room in King of Prussia, PA, trying to blog on my iPad; a new experience for me. I already miss my laptop because I don't type as fast on the virtual keyboard. And I tend to edit a lot when I write.
So what has all that to do with stash building? The reason I am here is that tomorrow I will be taking a class on Or Nue, which uses silk couching threads over laid gold thread to create the design. Brenda Kocher is teaching at the ANG Main Line Stitchers Chapter. I decided to come down a day early so that I wouldn't have to get up ridiculously early tomorrow to drive the 2 hours or so before class. I want to be really awake since, in my usual contrary fashion, I chose the black canvas on which to stitch rather than the white.
Still wondering about the stash building? There is a needlepoint shop nearby- Fireside Stitchery - that I was able to visit this afternoon. I almost didn't make it before they closed because of traffic, the two-hour ride turned into three, but I got there with about 30 minutes to spare. They have a fabulous selection of threads and beads and canvases. I restrained myself (something to do with recently looking at all of the canvases, charts and projects already waiting to be stitched) and only purchased a few things. But they are goodies!
With any luck I'll blog about the class tomorrow, but it may wait until I get home so that I can use the laptop and be able to format everything.
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